Cone
by Tim Olive
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
$5 USD or more
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Full Digital Discography
Get all 41 Tim Olive releases available on Bandcamp and save 60%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Wayward Acorn, Three Folds, Flawed Gait, Sheer, Smelt, Turtles, Der Hafen, Borage & Bugloss, and 33 more.
Purchasable with gift card$79.20 USD or more (60% OFF)
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Limited Edition Cassette
Cassette + Digital AlbumArtwork/Design by Chris Gibson
Includes unlimited streaming of Cone via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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1. |
Cone 1
08:16
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2. |
Cone 2
06:40
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3. |
Cone 3
07:32
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4. |
Cone 4
07:20
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about
Tim Olive: radios, tuning forks, magnetic pickups, synthesizer
Recorded and mixed August 2022, Kobe
Mastered by James Armstrong
Cover by Chris Gibson
Originally released on Buried in slag and debris, April 2023
buriedinslaganddebris.bandcamp.com/music
Recorded and mixed August 2022, Kobe
Mastered by James Armstrong
Cover by Chris Gibson
Originally released on Buried in slag and debris, April 2023
buriedinslaganddebris.bandcamp.com/music
credits
released June 7, 2023
Frans de Waard, Vital Weekly:
Here Olive works with a collage approach towards his noisy sound material. Everything buzzes and shakes; there's feedback and distortion, but not as an end. Olive is not a man to simply blast away. His noise comes across as intelligent and thought out. His improvisational skills help him play around with the material very easily, but by layering and mixing, he takes a more compositional route. The music has a tangible feeling as if he's manually destroying mechanized objects, along with the buzzed repetitions of a synthesizer. This is some mighty intense music, but I enjoyed every minute. There is a particular element of lo-fi ambient music, but heavily amplified, disguised as noise — an interesting diversification.
Frans de Waard, Vital Weekly:
Here Olive works with a collage approach towards his noisy sound material. Everything buzzes and shakes; there's feedback and distortion, but not as an end. Olive is not a man to simply blast away. His noise comes across as intelligent and thought out. His improvisational skills help him play around with the material very easily, but by layering and mixing, he takes a more compositional route. The music has a tangible feeling as if he's manually destroying mechanized objects, along with the buzzed repetitions of a synthesizer. This is some mighty intense music, but I enjoyed every minute. There is a particular element of lo-fi ambient music, but heavily amplified, disguised as noise — an interesting diversification.
license
all rights reserved
tags
discography
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Mar 2024 -
Mar 2024 -
Mar 2024 -
Mar 2024
contact / help
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