Tooth Car
by Anne-F Jacques/Tim Olive
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
$5 USD or more
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Full Digital Discography
Get all 41 Tim Olive releases available on Bandcamp and save 60%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Wayward Acorn, Three Folds, Flawed Gait, Sheer, Smelt, Turtles, Der Hafen, Borage & Bugloss, and 33 more.
Purchasable with gift card$79.20 USD or more (60% OFF)
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Limited Edition CD
Compact Disc (CD) + Digital AlbumGatefold sleeve with cover art by Julie Doucet
Includes unlimited streaming of Tooth Car via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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1. |
Tooth Car One
12:30
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2. |
Tooth Car Two
18:14
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about
Anne-F Jacques: rotating surfaces, objects
Tim Olive: magnetic pickups
Recorded in Washington (Pyramid Atlantic) and Boston (Museum of FIne Arts), November 2015
Cover art by Julie Doucet
Original release on Intonema Records, 2016
Tim Olive: magnetic pickups
Recorded in Washington (Pyramid Atlantic) and Boston (Museum of FIne Arts), November 2015
Cover art by Julie Doucet
Original release on Intonema Records, 2016
credits
released May 13, 2020
Brian Olewnick:
Recordings culled from two stops on a 2015 tour by the pair, each wielding an assortment of electronics. Rotational devices are clearly in effect (more from Jacques, I think) and provide an effective throb 'n' pulse to undergird the excellent grimy, raw noise that makes up the core language. It's an area explored by many others, a generation of industrial-grade sounds that cycle in varying phases, creating an infernal-factory aura. But it's also one I'm quite partial to, easily imagining myself in such a climate, immersed in the massive sound slabs, aurally buffeted by the whir and clank of rusty gears, the groans of decaying turbines, etc. The first of the two tracks is more in this dense vein, the second imparting a feeling of an abandoned space, the machines still humming but less insistently, neglected, farther along the path to end of their functional life. Good stuff.
Brian Olewnick:
Recordings culled from two stops on a 2015 tour by the pair, each wielding an assortment of electronics. Rotational devices are clearly in effect (more from Jacques, I think) and provide an effective throb 'n' pulse to undergird the excellent grimy, raw noise that makes up the core language. It's an area explored by many others, a generation of industrial-grade sounds that cycle in varying phases, creating an infernal-factory aura. But it's also one I'm quite partial to, easily imagining myself in such a climate, immersed in the massive sound slabs, aurally buffeted by the whir and clank of rusty gears, the groans of decaying turbines, etc. The first of the two tracks is more in this dense vein, the second imparting a feeling of an abandoned space, the machines still humming but less insistently, neglected, farther along the path to end of their functional life. Good stuff.
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Mar 2024 -
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Mar 2024
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