Supernatural Hot Rug And Not Used
by Tim Olive/Bunsho Nisikawa
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
$5 USD or more
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Full Digital Discography
Get all 41 Tim Olive releases available on Bandcamp and save 60%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Wayward Acorn, Three Folds, Flawed Gait, Sheer, Smelt, Turtles, Der Hafen, Borage & Bugloss, and 33 more.
Purchasable with gift card$79.20 USD or more (60% OFF)
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Limited Edition CD
Compact Disc (CD) + Digital AlbumJewel Case, with cover art by Marc Bell
Includes unlimited streaming of Supernatural Hot Rug And Not Used via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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Tsutenkaku
04:41
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Spa World
03:33
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3. |
The Neon Cross
04:05
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4. |
Blue Tent
10:55
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5. |
Shichi
03:32
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6. |
New World
03:16
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7. |
Chuo Hotel
05:52
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8. |
The Tower
02:05
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about
Bunsho Nisikawa: electric guitar
Tim Olive: electric bass
Rec. in Osaka, 2005
Recorded and Mastered by Nisikawa
Cover by Marc Bell
Original release on EM Records, 2006
Tim Olive: electric bass
Rec. in Osaka, 2005
Recorded and Mastered by Nisikawa
Cover by Marc Bell
Original release on EM Records, 2006
credits
released May 13, 2020
Marc Masters, The Wire:
Using homemade tools to coax noises from repurposed instruments, they produce a thoughtful racket full of scrapes, clangs, blips and cartoonish boings. That last element is key, as without the wry humour, the album’s reductionist style could sound dry. Instead, Olive and Bunsho’s cacophony often suggests Raymond Scott as an improviser.
Jason Bivins, Signal To Noise:
This disc rages with eight nasty improvised interventions in just under forty minutes; it’s a terse, inventive statement brimming with energy and imagination. There are no lines, no grooves, nothing of the sort. These fellows play machines, sound generators pure and simple. A fascinating, unexpected pleasure of twisted noise resounding from the slag heap.
Marc Masters, The Wire:
Using homemade tools to coax noises from repurposed instruments, they produce a thoughtful racket full of scrapes, clangs, blips and cartoonish boings. That last element is key, as without the wry humour, the album’s reductionist style could sound dry. Instead, Olive and Bunsho’s cacophony often suggests Raymond Scott as an improviser.
Jason Bivins, Signal To Noise:
This disc rages with eight nasty improvised interventions in just under forty minutes; it’s a terse, inventive statement brimming with energy and imagination. There are no lines, no grooves, nothing of the sort. These fellows play machines, sound generators pure and simple. A fascinating, unexpected pleasure of twisted noise resounding from the slag heap.
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